A History of Thaea: The Osyraen Period

750 B.E. – 500 B.E.

I’ll admit I’ve decided a few new things in writing this up, and reserve the right to correct any problems I find later. It is all written intentionally vaguely, but this is in part because there is a lot of lost, or confusing history and disagreement intended. Meant to echo subtle things such as the unlikely ages of some biblical figures, or the doubtful authenticity of any aspect of arthurian legend, but all are more likely true(r) in this context.

I intend this to be something of a living document as I track down little things I have (somewhere,) but also part of a series tackling different epochs of world history.

This is none the less, largely codifying my operating understanding of the history of the world, with a few flourishes along the way.

Though exact dates for anything much before 200 B.E. are hotly debated by scholarly circles, most are willing to oblige approximate decades of various significant historical events as far back as the commonly given 750 B.E. for the founding of Osyrae, and the declaration of Osir as King (Koning.)

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Commentary III:57

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Queens & Shadows

Writing commentary on mobile, on vacation, apologies if some things are more sloppy.

Etore has mixed experience dealing with high level royalty. What she does have its experience dealing with those she might be prepared to call peers. The Queen obliges her manners more than she gets it right, but over all there is a hard to place semblance of sense to the tone of the interaction.

The Queen has, as she passes over, opted to recognize Etore, and wager she may be a better person to have on the throne than her uncle. This far from conventionaly puts them in any comperable social footing. It’s hard to place what relative social strata they are occupying. A princess, heir apparent denied her throne, implying her intent to take it, and all that implies. The world hasn’t had a potential flash point figure like her in centuries. The Council sealed claims for good reason.

The Queen on the other side is a seasoned veteran of rule, and so reads Etore’s type, and so long as it is a private meeting, meets her on her terms. This manner in public would go over less well, and Etore is not daft, and knows this.

The two are testing each other throughout.

The Queen does become the voice of my own frustration with conventional and chosen poetic license. Shadow has become a very overloaded term. People, places, and powers, and now a thing pulling Selene’s strings. This was indeed one of the “puppets” of recent title, but did not find a place, so Etore becomes the vehicle.

Etore has also started playing the ‘sane woman in a mad world” role rather deftly. “I can work with chaos,’ can you? It’s truthfully a humble brag she’s grown fond of, that she can handle the company she keeps. Particularly since she is not always so sure she can, and tipps her hand a bit to that in the closing.

I had originally imagined some debate, or other shenanigans around deciding who would confirm Etore’s observations. As thing worked out Kat has the debate with herself, and does it.

I can’t attest exactly when the shadow dragon came to be in my imaginings. Yet I recall setting some precedent for what it might represent. A glimpse back in Mordove of vast intricate structures in aura.

This is by far the most seemingly benign creepy spirit thing we have yet met. Full of riddles, and perhaps implied schemes, it’s almost ‘old master’ manner is I think a bit disarming in spite of appeances. Of course even the assurances of behavior may be thin.

As Etore points out, it’s getting handsy again. I think perhaps questioning the Queen’s judgement in being left alone would have been wise, but that she seemed in control enough to step back, may have given some possibly misguided sense of confidence. As also the general understanding, beyond what Selene has become, there is scarce evidence you can simply control someone. Only manipulate.

I’m not entirely sure how I feel about prosaic riddles in “true speach” (I loosely call it.) On a level it’s kind of fun that even such pure utterances of understanding become “questions” in the voice of this creature.

It’s also amusing and disturbing to think of a ‘dragon playing with little dolls’ as it were. When they are people…

Kat’s impertinent question leaps straight to the recurring theme of Rhaea being in love with herself (since who else – if all is her mirror – is there for her to be?) Selene’s answer demonstrates a certain detachment still, a self beyond the forces behind her. It’s behavior is also tempered in a way we haven’t seen. So, almost more frightening, are we sure which is the puppet?

I’m not sure I establish well enough what was the intent behind the but about chess. Clearly it was a move meant to evoke a reaction, but it got a different one than intended, and that might have gone unnoticed. Like mistaking one piece in the game for another.

Some other things on my mind for a while get some mention, but we’ll hear about that more soon.

There are only a few thing I want to call out presently in Kat and Liora’s little… argument?

One is Kat’s quote about worms and roots that I lost my mind trying to place either as something I’ve written before, or appropriated from some unknown source. I came up blank on both counts. It’s either derived in the moment from my own past writings, or something obscure I couldn’t identify. Might even occur in this world and I just can’t find it.

A bit bothersome, but Kat had already expressed her ambivalence on the origin before mine set in.

The other issue is I’m unsure I’ve well bridged or placed this interaction with the new context about Selene, but I don’t see Kat mentioning this to Liora which would only serve to insight trouble without good cause.

I also think I need to replace a “, and” with a “. Just” to make one line carry some more punch as it did in my head when I first wrote it.

Kat’s closing scene has proven another interesting use case of the umdetailed love scene, where what is going on in the background of dialogue and emotion is inferred, but the conversation supported still gets what it needs out of circumstances. Without becoming lost or mired in them.

Kat is clearly struggling with a lot in reframing of what she wants, that has never changed, but a certain sense of duty, or wrongness has intruded on old comfortable patterns that she still wants to embrace. Competing rights are emotionally troublesome, and toxic in emotional bare circumstances.

In many ways who Kat is with is ideal for having such struggles. We’ve met so many more Sashas, Elises, and Estaes – the domineering side of this powerful confident female sexuality – it was nice to delve into the nurturing aspect of the Red Women, and their role in society that goes so much more unnoticed, because it keeps things civil and quiet, not noisy. Like good UX goes unnoticed.

As implied this is the path Kat has walked in a round about way. Appearances aside so much of her life has truly been spent beging not what society wanted or needed her to be, but what specific others did. Not without her own wants in the equation but navigating between them.

They all didn’t want to own her, but were either too selfish, or selfless about it. Celia begged her to try to find comfort because she believed this was a higher form of love. Charles wanted a conquest, and got a contest. Mathew felt beneath her, and sought someone ‘more appropriate.’ Maeren was a Red Woman by nature with no title or training. So on and so forth.

Adria was different. She broke Katrisha’s heart in a new way. She made her walk away. Adria would gladly own her, and all at once selflessly (or selfishly?) become her. Which again brings us back to shadows, and mirrors.

Indeed even the Red Women echo or are echoed by other powers in play. Some of what we hear here represent what the Saou were, and how the Assassins began, or are. A social construct in different moral faces, and with drastically more or less social power.

Commentary III:16

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Well That Happened

I’ve been feeling something like this coming for a while now, and I’d like to apologize for some sloppy editing on this chapter (that I hopefully cleaned up the Monday after.) Partly I’ve been letting myself get distracted playing with art I’m not ready to share yet, and partly…this was not according to plan, sort of…

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Chapter III:8

Watch your gait,
keep your stride,
move with the pack,
stay alive.

Watch your gait,
keep your stride,
circle the heard,
stay alive.

Watch your gait,
keep your stride,
scatter the pack,
feed tonight.

– Common Osyraen military training chant, circa 20 E.R.

Honor Among Wolves

It gave Mercu little comfort that he seemed to be fairing marginally better than his pursuers. An accomplishment given his injuries. Though faster in a sprint the men seemed less agile, and even light armor was clearly fatiguing them compared to light traveling clothes. Except the scrawny one, he was a problem.

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Chapter III:2

The gift endures in soul-ward order,
the material marches on toward decay,
the flesh a fickle beastly carnivore,
the path endures if we do not stray,

great spells give way to entropy,
even suns before it cannot endure,
yet the aether burns above eternal,
to temporary desires become inured.

– The Clarion Call, Saint Darius, circa 130 B.E.


Vhalun 23rd, 655 E.R.

Katrisha opened her study door, and considered the overly tall bundle the man outside held. She gestured in, and Xander carried the package taller than him to the central table. He set it before Kiannae, and barely spared a curious glance to the massive orrery overhead. It was not an easy sight to look way from on first sight.

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The Storm Cycle: Book II: Complete


For those who believed themselves but consort to the hero,
only to find they might yet author their own fortune.

⁃ ◇ ❖ ◇ ⁃

In the world of Thaea prophecy is rarely kind.  Even a rare glimpse of joyous days ahead can prove the undoing of the careless.  The gifted see not the destiny they will take, but threads of possible fates ever in motion.  In the fourteenth year of their lives the Ashton twins listened to haunting dreams, and ignored the words of a mad old woman.  They were told to, as children.  It cost them dearly, but what worse fate might have come, who can say.

The prodigious skills of battle mages are earned by future trials.  One mad plan to kill a feral dragon is not the sort of thing that etches a single face through the ages.  That has let countless prophets clear eyed and mad stare into the same emerald gaze.  Whatever price has already been paid, the prophecy of the Storm still lies ahead.  It is not kind.

If the Fates themselves are to be defied, it will take a will that could move worlds.  It will take powers that could upend the natural order.  It will cost far more that the price already paid.  For the mark that even dragons left on prophecy, pales, to the Child of the Storm.

⁃ ◇ ❖ ◇ ⁃


  1. Into the Forest
  2. Out of the woods
  3. State Decay
  4. Mage Blood
  5. Friends in Need
  6. The Winter Frost
  7. The Passing Storm
  8. Moonlight
  9. Summer Glades
  10. Difficult Company
  11. Ink on the Page
  12. Seasons in Thebes
  13. The Lady of the Tower
  14. Eastwash
  15. Little Wars
  16. Corruption
  17. Pupils and Masters
  18. Fire with Fire
  19. Trials of a Council Mage
  20. Follies End
  21. Kindred Spirits
  22. The Court of Storms
  23. The Hand Dealt
  24. All’s Fair
  25. A House United
  26. Falling Hours
  27. The Calm Between
  28. This Too